Adobe Premiere Pro CC v.7.xx Instrukcja Użytkownika

Help and tutorialsADOBE® PREMIERE® PROJanuary 2014

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My Documents (Windows) or Documents (Mac OS)Same As ProjectCustomfast as possible, without having to access other files. Use the Project > Project

Note:To the topNote:Note:On Windows, specify only partitions formatted for the NTFS file format as scratch disks. On Mac OS, use partitions formatted

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PreferencesTo the topTo the topChange preferencesGeneral preferencesAppearance preferencesAudio PreferencesAudio Hardware preferencesAudio Output Mapp

To the topTo the topAutomatch Time5.1 Mixdown TypePlay Audio While ScrubbingMute Input During Timeline RecordingDefault Track FormatMonoStereoMono As

Minimum Time Interval ThinningTo the topTo the topNote:To the topNote:To the toprepresent an increase in value from the beginning (0 dB) and ending (–

Note:To the topTo the topTo the topTo the topIndeterminate Media TimebaseTimecodeFrame CountWrite XMP ID To Files On ImportEnable Clip And XMP Metadat

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Working with PanelsTo the topTo the topNote:To the topNavigate the panelsDisplay any panel full-screenDisplay panel optionsDisplay context and panel m

To the topTo the topNote:Selection ToolTrack Selection ToolRipple Edit ToolIn Photoshop, you can change the font size of the text in panels and tool t

What's new in Premiere Pro CC October 2013 (version 7.1)To the topTo the topThis document describes the new and changed features in the Premiere

Rolling Edit ToolRate Stretch ToolRazor ToolSlip ToolSlide ToolPen ToolHand ToolZoom ToolTo the toppreserves all edits to the left or right of the tri

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Adobe Dynamic LinkTo the topTo the topNote:To the topAbout Dynamic LinkDynamic Link performanceCreate and link to After Effects compositions with Dyna

Note:To the top1. In a sequence, select the clips you want in the composition.2. Right-click any of the selected clips.3. Select Replace With After

To the topNote:To the topTo the topDelete a dynamically linked composition or clipYou can delete a linked composition from an Encore project if the co

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Cross-platform workflow Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicySequ

Basic workflowThe steps you take in editing video, from import or capture through final output, make up your workflow. The basic workflow describes th

Note: Project panel and Capture panelYou can also import various digital media, including video, audio, and still images. Premiere Pro also imports Ad

Trim Monitor to fine-tune the cut point between clips. By nesting sequences—using a sequence as a clip within another sequence—you can createeffects y

Premiere Pro now lets you render multiple sequences at once instead of doing it one at a time. In the Project panel, select the sequences that youwant

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Project setup124

Trim or copy your projectNote:Create New Trimmed ProjectCollect Files and Copy to New LocationNote:Note:Exclude Unused ClipsMake OfflineNote:Include H

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Creating and changing projectsNote:To the topNote:Create a projectReview project settingsProject Settings dialog boxOpen a projectDelete a project fil

Note:Note:To the topTo the topVideo Rendering and PlaybackTitle Safe AreaAction Safe AreaDisplay Format (Video and Audio)2. Either choose New Project

Capture FormatTo the topFindSkipSkip AllNote:Skip PreviewsOfflinepresets and settings.For information about setting the capture format, see Set captur

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Archiving projects Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyNote:The

Importing footage132

End Of Media IndicatorWhen the playhead goes past the last frame of media on the Timeline and there is no clip after that, a black frame appears alon

Transferring and importing filesTo the topNote:Note:Supported file formatsAbout file formatsAbout transferring filesAbout importing filesImport files

Note:Note:Note:You can preview Native Canon XF files in the Media Browser, and the use of metadata is supported.R3D (RED camera)Adobe Premiere Pro sup

Note:To the topEPSGIFICO (Icon File) (Windows only)JPEG (JPE, JPG, JFIF)PICTPNGPSDPSQ (Adobe Premiere 6 Storyboard)PTL, PRTL (Adobe Premiere title)TGA

To the topAbout transferring filesTransferring projects from other computersWhen transferring project files, such as After Effects project files, Prem

To the topTo the top The folder structure for DVD-video assetsAbout importing filesFor a video overview of the ways to import assets into Premiere Pro

To the topNote:To the topIn the list of hard drives and folders in the Media Browser, click the triangles next to folder names to open them.3. To vie

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Importing assets from tapeless formatsNote:Note:Import assets from file-based sources with Media BrowserAbout spanned clipsFile-based camcorders from

Note:To the topNote:Note:To the topDVD camcorders and DVD recorders capture video and audio into MPEG-encoded VOB files. VOB files are written into a

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Note:Note:To the topJ, K, L playback keyboard shortcuts now provide faster speeds of 1x, 2x, 4x, 8x, 16x, and up to 32x.Playback performance may vary

Importing still imagesTo the topTo the topNote:Preparing still images before importingImporting Photoshop and Illustrator filesImport images as an ima

Note:Merge All LayersMerged LayersIndividual LayersSequenceNote:To the topImport a layered Photoshop fileWhen you import a layered file saved in Photo

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Support for growing files Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyGr

Working with timecodeTo the topTo the topAbout timecodeChoose timecode display formatChange how timecode is displayedStripe tape or replace timecodeCa

Use Media SourceStart At 00:00:00:00Start At 0Start At 1Timecode ConversionTo the topTo the topAlso, you can determine how Premiere Pro displays the f

Note:Note:You can ensure continuous timecode by recording timecode onto the tape before you use it. This process is called striping the tape. Striping

To the topNote:To the topTo the topTo the topCapturing timecodeThe timecode of source video is captured when you use device control. Timecode capture

Note:To the topTo the top3. Click the Effect Controls panel to make the panel active.4. Click the triangle next to Timecode to expose the options fo

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To the top Timecode effect enhancementsThe Timecode effect automatically matches the Time Display parameter (or timebase) to the source clip.Copy and

Importing XML project files fromFinal Cut ProNote:To the topTo the topTo the topImport an XML file from Final Cut ProFinal Cut Pro clip dataFinal Cut

To the topPremiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro source projects. Additionall

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Importing sequences, clip lists,libraries, and compositionsTo the topNote:To the topTo the topImporting earlier Premiere Pro projectsImport selected s

To the topTo the topTo the top3. Click Open.Premiere Pro converts the Premiere Elements project file to a Premiere Pro project file.Importing librari

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Importing digital audioNote:To the topNote:To the topTo the topTo the topUsing audio from audio CDsUsing compressed audio formatsUsing audio from Adob

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Digitizing analog videoTo the topTo the topAbout capture card settingsDigitize analog videoIn order to edit video shot in an analog format, you must f

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To the topNote:Edit point indicatorsMedia Limit indicatorsMarker commentsOther metadata, like clip name, multi-camera angle, and sequence timecodeYou

Create clips for offline editingTo the topNote:Create low-resolution clips for offline editingReplace low-resolution clips with high-resolution clips

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Capturing and digitizingTo the topCaptureDigitizeNote:To the topAbout capturing and digitizingSystem requirements for capturingSet capture format, pre

Note:Note:To the topNote:For recording audio from analog sources, a supported audio card with an analog audio input.A codec (compressor/decompressor)

Note:To the topTo the top1. With a project open, choose File > Capture, and select the Settings tab.2. In the Capture Settings pane, click Edit.3

To the topNote:Note:footage. NTFS formatting does not limit file size. It is best to use NTFS-formatted disks as the scratch disks where you capture v

OfflineDetectedOnlinePreroll TimeTimecode OffsetSet up a device for device controlPremiere Pro supports the control of devices such as camcorders and

OfflineDetectedOnlinePreroll TimeTimecode Offset4. (Optional) If you are connecting a DV or HDV device, make your selections from the Video Standard,

Note:To the topNote:To the topNote:5. In the Time Control section, select a time source and timebase for your device.Device controls in the Capture p

To the topNote:Note:These settings are preserved for the project, but you can set them again for each new project.4. In the Setup area of the Logging

To the topMulti-Camera workflow improvementsDisplay camera angles as track names or clip namesWhen creating a multi-camera source sequence, you can di

Note:To the topTo the top8. You can capture frames that extend beyond the In and Out points of each clip. Enter the number of frames in the Handles b

Note:To the topScene Detect can greatly speed up the process of logging clips. As you capture video, Scene Detect logs a clip wherever there is a brea

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Capturing HD video Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyNote:You

Capturing DV or HDV video Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyNo

Capturing content for DVD Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyFr

Batch capturing and recapturingTo the topTo the topAbout logging clipsLog clips for batch capturingAbout batch capturingChoosing batch-capture setting

Capture panel with Logging activeWhen logging HDV and other Long GOP formats, be sure to add handles in the Handles setting of the Capture section. B

To the topNote:To the topYou must click Log Clip to create a new offline clip. This pauses the tape as you confirm the clip data for the new offline c

To the topNote:To the topIf an offline clip has its own capture settings, its box in this column has a check mark.Change capture settings for an offli

To the topThe Program monitor's Multi-Camera Viewing Mode now displays a fully composited output like the regular playback mode. The Multi-Camera

To the topTo the topYou can perform trouble-free batch capturing if device control and the project’s capture settings are set up properly and if the o

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Managing assets185

Customizing the Project panelTo the topTo the topChange Project panel viewsWorking in List viewWorking in Icon viewCustomize List view columnsSelect f

To the topWorking in Icon viewVideo tutorial: Hover ScrubThe Icon view in Premiere Pro has the following features:Use the Zoom slider to increase or d

To the topNote:List View Sort: Sorts the icons in the sort order chosen in the List view. For example, if you sorted the clips by "Media duration

IntegerRealTextBooleanNameLabelMedia DurationNote:Change the width of a columnIn the List view of the Project panel, position the mouse over a dividin

Video DurationAudio DurationVideo InfoVideo UsageAudio UsageTape NameDescriptionCommentLog NoteFile PathCapture SettingsStatusOffline PropertiesSceneS

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyProject Panel: Organizing,

Organizing assets in the Project panelTo the topWorking with binsAdding and deleting binsChange bin behaviorsBin tipsLabel assetsRename assetsRename a

To the topTo the topTo the topSupport for 64-bit QuickTime exportPremiere Pro supports the following new video and audio codecs that let you export Qu

A. Bin in a bin B. List view C. Icon view D. Zoom slider E. Automate to sequence F. Find G. New bin H. New item I. Clear These are the default behavi

To the top Double-click to open a bin in its own dockable panel.Change bin behaviorsWhile working in a project, you will sometimes want to change the

Note:To the topNote:To assign a label to an asset, select a clip in the Project panel, choose Edit > Label, and choose a color.To select all assets

To the topTo the topAllVisibleText TranscriptTo the topJump to an asset in the Project panel1. Select the Project panel.2. Type the first letter of

To the topNote:Select the Project panel, and press Ctrl + F (Windows), or Command + F (Mac OS).2. In the Find dialog box, select the name of the colu

To the topNote:To the top1. Do one of the following:Click the magnifying glass in the Find box and choose Find Faces,Choose Edit > Find Faces.The

To the topNote:To the topEdit cells in the Project panelYou can edit the data in the editable cells, whether for clip properties or XMP metadata, for

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Monitor OverlaysTo the topNote:To the topNew in Premiere Pro CC October 2013 release (version 7.1)Monitor Overlays display important metadata informat

Source TimecodeMedia Limit Indicators Alignment of the selected metadata fields matches the overlays placement on the monitorThe overlays are displaye

ContentsWhat’s New 1...

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End Of Media IndicatorsEdit Point IndicatorsMarker commentsNote:Action and Title Safe AreaEnable overlays for TransmitEnable overlays during playbackT

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Managing metadataTo the topNote:To the topAbout the Metadata panel and XMPAbout the Metadata panel in Premiere ProAbout file, clip, and project XMP me

To the topAdobe Premiere ProClipFileAfter EffectsProjectFilesTo the topThe Metadata panel shows both clip-instance metadata and XMP file metadata for

To the topTo the topUse the XMP metadata fields to store data that applies to the source file, and all clip instances that point to it. Use the clip m

To the topIntegerRealTextBooleanTo the topShow or hide XMP metadataTo optimize the Metadata panel for your workflow, show or hide entire schemas or in

To the topView clip data in the Metadata panelYou can show or hide clip information in the Metadata panel like any other metadata. Premiere Pro saves

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Working with markersTo the topMarkersMarkers panelAdd markers in the TimelineAdd markers to clipsFind, move, and delete markersDisplay marker comments

To the topTo the topA. Comment marker B. Flash point marker C. Chapter marker D. Web link marker Markers on the Marker and Timeline panels A. Comment

What's new in Premiere Pro CC July 2013 (version 7.0.1)Note:To the topThis document describes the new and changed features in the Premiere Pro CC

NameDurationCommentsEncore Chapter MarkerWeb LinkURLNote:Frame TargetFlash Cue PointTypePlus and Minus buttonsNameValueNote:To the top4. Set any of t

1. Open the clip in the Source Monitor from the Timeline or the Project panel.2. Place the Playhead where you want to place the marker.3. Choose Ma

Next Available NumberedOther NumberedNote:To the topTo set a sequence marker, select the Program Monitor or Timeline panel.2. Move the current-time i

Note:Current MarkerAll MarkersNumberedNote:To the topTo cue the playhead to a sequence marker, select the Program Monitor or Timeline panel, choose Ma

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Working with aspect ratiosTo the topAbout aspect ratiosUsing assets with various aspect ratiosFix aspect ratio distortionCorrect individual aspect rat

Note: NTSC displays A. 16:9 NTSC footage B. DVD player display using original widescreen format on widescreen TV screen C. 16:9 image on a 4:3 TV scre

To the topTo the topTo the topUse Pixel Aspect Ratio From FileConform ToNote:To the topUsing assets with various aspect ratiosPremiere Pro automatical

To the top1. Open a text editor.2. From within the text editor, go to the Premiere Pro Plug-ins folder.3. Open the file named Interpretation Rules.

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To the topTo the topTo the topTo the topTo the topThe Copy/Paste feature continues to use the workflow where duplicate instances are created and linke

Monitoring assets223

Using the Source Monitor and Program MonitorTo the topSource Monitor and Program Monitor overviewOpen or clear a clip in the Source MonitorNavigate cl

Note:Note: The program monitor A. Timecode B. Playhead C. Scaling options D. Zoom scroll bar E. Resolution F. Settings button G. Button editor For de

To the top1. Do one of the following:Right click the image in the Source Monitor or Program Monitor.Click the Panel Menu icon in the Source Monitor o

To the top1. To open a clip, do any of the following:Double-click the clip in the Project or Timeline panel, or drag a clip from the Project panel to

To the topTime rulersPlayheadNote:Current time displaysDuration displayZoom scroll bars3. Set keyboard shortcuts for any of the following commands:So

Note:To the topTo the topChanging the Program Monitor’s time ruler or zoom scroll bar does not affect the time ruler or viewing area in a Timeline pan

To the topComposite VideoAlphaAll ScopesVectorscopeYC WaveformYCbCr ParadeRGB ParadeVect/YC Wave/YCbCr ParadeVect/YC Wave/RGB Parade2. Select Display

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Using the Waveform monitors and vectorscopeTo the topAll ScopesVectorscopeYC WaveformYCbCr ParadeView a scopeVectorscopeYC WaveformYCbCr ParadeRGB Par

To the topTo the topTo the top1. Right-click (Win) or Ctrl-click (Mac) an offline sequence and select Link Media from the context menu. All the clips

RGB ParadeVect/YC Wave/YCbCr ParadeVect/YC Wave/RGB ParadeTo the topIntensity75%100%To the topDisplays a scope showing the red, green, and blue compon

IntensitySetup (7.5 IRE)ChromaTo the topNote:To the top YC Waveform with the chroma control enabled A. IRE units B. Luminance (green) waveform C. Chro

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Using the Reference MonitorTo the topTo the topOpen a Reference MonitorGang the Reference Monitor and Program MonitorThe Reference Monitor acts like a

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Playing assetsTo the topNote:Play video in the Source Monitor and Program MonitorContinuous PlaybackPlay a sequence or clip with preroll and postroll

To the topTo the topTo the topContinuous PlaybackPlayback continues unless the user specifically issues a Stop command. This feature supports real-tim

To the topTo the topTo the topMove to a different frame in the Source Monitor and Program MonitorDo any of the following:To advance one frame, click t

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Editing sequences and clips242

To the topTo the topTo the topTo the topNote:To the topTo the topto this feature. When Linked Selection is turned on, clicking a linked clip in the Ti

Relinking offline mediaTo the topNew in Premiere Pro CCLocating and linking offline filesRelink offline media automaticallyManually locate and relink

To the topNote:When you open a project with missing media files, the Link Media dialog box gives you visibility into files that have broken links and

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Trimming clipsTo the topWorking with In and Out pointsWorking with audio clips in the Source MonitorView audio waveformsScrub the audio waveform in th

To the topallow you to trim an edit point. These tools and techniques allow you to trim more easily and accurately, reducing the number of steps invol

To the topNote:To zoom in on all channels simultaneously, Shift-drag either end of the vertical zoom bar that runs next to the decibel ruler on the ri

Note:To mark an Out point, drag the playhead to the frame you want. Then click the Mark Out Point button , or press the O key.After you mark In and O

Note:Note:Note:To the top4. Drag the In/Out Grip (textured area at the center of the shaded span between the In and Out points), as you did in the se

Note:Note:This video tutorial by Todd Kopriva and video2brain shows you how to edit quickly and precisely with the keyboard, including the new trim mo

Using modifier keys with trim toolsUse the Alt (Windows) or Option (Mac OS) modifier key to override normal linkedonly select the edit point that is c

To the topTo the topNote:To the topNew Tone Settings dialog Premiere Pro provides a new Tone Settings dialog that lets you create Bars and Tones clip

Note:Select Nearest Edit PointGo to Next Edit Point and Go to Previous Edit PointGo to Next Edit Point on Any Track and Go to Previous Edit Point on A

Trim Backward and Trim ForwardTrim Backward Many and Trim Forward ManyExtend Selected Edit to PlayheadNote:Ripple Trim Previous Edit to Playhead and R

Note:To the top Trimming a clipTrimming in this way affects only a single clip's edit point and doesn’t affect adjacent clips. As you trim with t

Rolling editA rolling edit trims an adjacent Out point and In point simultaneously and by the same number of frames. This action effectively moves the

Note:To the top1. Click a track header to target the track containing the clip you want to trim.2. Drag the playhead to the location in the sequence

A slip edit shifts a clip’s In and Out points forward or backward by the same number of frames in a single action. By dragging with the Slip tool,you

In this slide edit, a clip is dragged left so that it starts earlier in the sequence, shortening the preceding clip and lengthening the following cli

To the topNote:Press Alt+Right (Windows).Press Command+Right (Mac OS).For more information about nudging clips with keyboard shortcuts, see this video

Entering trim modePrior to entering trim mode, a good strategy is to select one or more edit points with a trim tool in the Timeline. These selected e

Program Monitor on the next loop. Continue to adjust and review the edit until you are satisfied with the trim. Move on to trimming the next edit poin

To the topTo the topNote:to the project file. This change conserves the maximum number of auto-saves per project, and saves only the useful archived v

Trimming and the History panelThe History panel shows each trim adjustment as an individual entry, whether using the keyboard, clicking one of the but

To the topframes.Combinations of Trim In and Trim Out trims are not considered asymmetrical even if the side of the edit point differs, since the move

Note:Choose Edit > Preferences > Trim (Windows) or Premiere Pro > Preferences > Trim (Mac OS).Make a rolling edit using the Trim Monitor1.

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Source patching and track targetingKeywords: Video patching, track targeting, targeting tracks, video editing, source patching, source sequences Twit

Multi-Camera editing workflowTo the topTo the topEnhanced in Premiere Pro CC October 2013 release (version 7.1)About the multi-camera editing workflow

4. Create a multi-camera target sequenceEdit the multi-camera source sequence in a target sequence.To create a target sequence, with the multi-camera

To the topYou can use keyboard shortcuts for multi-camera editing. You can use the number keys to switch cameras as the multi-camera sequenceplays. Th

Camera 1 clip. In most scenarios, the Automatic preset is the appropriate setting. For advanced workflows, like editing a sequence using proxyresoluti

To the topTo the topTo the topaddition to the default option of enumerated camera names like camera 1, camera 2.Depending on the Camera Names option t

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Edit from sequences loaded into the Source monitorKeywords: Source sequences, track targeting, editing sequences, sequence editing, source tracks, sou

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Closed CaptioningTo the topNote:Enhanced in Premiere Pro CC October 2013 release (version 7.1)Closed Captioning workflow in Premiere ProStep 1: Import

Displaying closed captions in the Source Monitor and Program Monitor You can select the captioning standard for a caption clip loaded in the Source M

A. Filter caption content B. Formatting toolbar C. Editable text blocks Example usage scenario Consider a scenario where you have a program that a

To the topTo the topis chosen based on the known frame rate of the sequence that you are exporting.Click Export to export the closed caption file. Ex

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Synchronizing audio and video with Merge ClipsNote:To the topNote:To the topMerge clips in the Project panelMerge clips in the Timeline panelSynchroni

Note:To the topTo the topNote:Choose Clip > Merge Clips.The Merge Clips dialog launches.2. Click OK. Your merged clip will now appear in the Proje

What's New in Premiere Pro CC June 2013 (version 7.0)To the topTo the topAdobe® Premiere® Pro CC 7.0 offers several new features and enhancements

To the topNote:To the topTo the topcomponent clips. Merged clips and the Metadata panelWhen a merged clip is created, the metadata for each of the com

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Rendering and previewing sequencesTo the topNote:To the topDefine the work area for renderingDefine the area for rendering using In and Out pointsRend

To the topRender Effects In to OutRender In to OutRender AudioNote:To the topDefine the area for rendering using In and Out pointsYou can mark In and

To the topNote:To the topTo the topWork with preview filesWhen you render previews, Premiere Pro creates files on your hard disk. These preview files

No ScrollPage ScrollSmooth ScrollTo the topNote:Desktop Video Display During PlaybackExternal DeviceAspect Ratio ConversionDesktop AudioExternal Devic

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Remove alerts with the Events panel Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privac

Rearranging clips in a sequenceTo the topMove clipsSplit or cut one or more clips with the Razor toolLift and paste framesExtract and paste framesDele

Note:Note:To insert, drag one or more clips, and press Ctrl (Windows) or Command (Mac OS) as you release the mouse button and drop the clip orclips in

To the topAdobe Anywhere lets video teams effectively collaborate and access shared media across standard networks. You can you use local or remotenet

To the topTo the topthat shifts clips in the destination tracks only.Split or cut one or more clips with the Razor toolYou can use the Razor tool to c

To the topTo the topTo the topExtract and paste framesYou can extract frames from a specified area of one or more tracks in a sequence, leaving no gap

To the topNext in SequencePrevious in SequenceNext in TrackPrevious in TrackNote:To the topTo the topTo delete gaps between multiple clips, see this v

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Working with offline clipsNote:To the topCreate an offline clipEdit an offline clipRelink an offline clipConvert an online clip to an offline clipAn o

Note:To the topNote:To the topNote:Note:To be eligible for capture, an offline clip must contain at least a tape name, filename, and Media Start and M

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Modifying clip properties with Interpret Footagejavax.jcr.AccessDeniedException: /content/help/en/premiere-pro/using/modifying-clip-properties-interpr

Creating and changing sequencesTo the topTimeline panelsNavigate in a sequenceWork with tracksSet track displayCreate a sequenceCreate a custom sequen

To the topOpen additional Timeline panelsYou can open more than one Timeline panel if you have more than one sequence in a project.1. Open more than

Monitor overlays 201...

To the topTo the top Redesigned TimelineThe track headers in the Timeline panel are now customizable, allowing you to determine which controls are dis

Omit leading zerosOmit semicolons (NTSC) or colons (PAL)Enter values that exceed the normal valuesInclude a plus sign (+) or minus sign (–)Add a perio

To the topZoom into or out of a sequence in a Timeline panelDo one of the following:With the Timeline panel active, to zoom in, press +. To zoom out,

Note:Note:in the track but does not affect source clips listed in the Project panel.You can add any number of tracks, limited only by your system’s re

Note:Note:Note:To the topaffected by the edit.To enable Sync Lock for all tracks of a particular type, video or audio, Shift-click the Toggle Sync Loc

Show Head OnlyShow FramesShow Name OnlyShow Head And Tail2. To resize the track, position the pointer in the track header area between two tracks so

Show WaveformShow Name OnlyNote:To the top2. Click the Set Display Style button , and choose an option from the menu:Displays audio waveforms in cli

Note:2. On the Sequence Presets tab, select a preset from the Available Presets list.3. Type the name of the sequence, and then click OK.You can cre

Editing ModeNote:TimebasePlayback SettingsFrame SizePixel Aspect RatioFieldsRobbie Carman explains how to customize sequence settings to speed up rend

Display Format (Video)Note:30-fps Drop-Frame Timecode30-fps Non Drop-Frame Timecode24-fps Timecode25-fps TimecodeFeet + Frames 16mmFeet + Frames 35mmF

WidthHeightResetMaximum Bit DepthMaximum Render QualityNote:Save PresetMasterNote:Specifies the frame width of video previews, constrained by the pixe

Note:To the top Show duplicate frame markers Premiere Pro assigns a color automatically to each master clip that has a duplicate clip. Up to ten diffe

To the topNote:To the topTo the toptime base (for example, 29.97 fps, or 23.976 fps)fields (for example, progressive or interlaced)audio sample rate (

Note:To the topTo the topYou can choose the video preview format and resolution in the Sequence Settings dialog box. Choose a resolution lower than th

MonoStereo5.1Note:To the topOutputs a single mono channel.Outputs two mono channels with stereo panning intact.Outputs four mono channels respecting t

To the topTo the topNote:10. Enter a name for the sequence and click OK.Create a sequence for RED camera footage1. Select File > New > Sequenc

Note:Repeat Frame (ABBCD)Interlaced Frame (2:3:3:2) When you apply 3:2 pulldown to footage, one frame of the film (A) is separated into two or three i

To the topDisable 24p pulldown to simulate film-video transferBy default, Premiere Pro uses a 24p pulldown scheme to play back 24p DV footage at 29.97

To the topTo the top4. Select the Mobile & Devices presets folder. Do one of the following:To edit a movie aimed exclusively at devices supportin

Note:To the topA nested sequence always represents the current state of its source. Changing the content of the source sequence is reflected in the co

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyAttach closed caption files

Creating special clips (synthetics)To the topWipe ColorBackground ColorLine ColorTarget ColorNumeral ColorCue Blip On OutCue Blip On 2Cue Blip At All

To the top Closed Captioning tools in Premiere Pro A. Display closed captions with content B. See captions on the Timeline You can import Closed Capti

Note:To the topTo the topTo the topYou can create a one-second clip containing color bars and a 1-kHz tone, as a reference for calibrating video and a

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topCreate a transpar

Creating and playing clipsTo the topTo the topSource clips, clip instances, subclips, and duplicate clipsDuplicate a clipCreating subclipsPlay back a

To the topCreating subclipsA subclip is a section of a master (source) clip that you want to edit and manage separately in your project. You can use s

Note:To the topDo one of the following:Ctrl-drag (Windows) or Command-drag (Mac OS) a clip instance from a sequence into an open bin in a Project pane

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Adding clips to sequencesTo the topTo the topTo the topAdding clips to a sequenceOpen a sequenceTargeting tracksDrag video and audio to a sequenceDrag

Note:To the topNote:Note:A sequence may contain several video and audio tracks. When you add a clip to a sequence, it is important to assign which tra

Note:To the topNote:If you don’t want to set In and Out points, you can drag the clip directly from a bin or the preview thumbnail in the Project pane

To the topNote:To the topNote:To the topNote:Add a track while adding a clipDrag a clip from the Project panel or Source Monitor into the blank space

Use the Create Multi-Camera Source Sequence option to automatically match multiple camera anglesAuto-sync clips using audio waveformsPremiere Pro als

To the topTo the topInsert or Overwrite by dragging a clip to the Program panelYou can select and drag a clip from the Project panel, Source panel, or

Change Clip Speed (Fit to Fill)Trim Clip’s Head (Left Side)Trim Clip’s Tail (Right Side)Ignore Sequence In PointIgnore Sequence Out PointTo the topTo

OrderingPlacementMethodNote:Clip OverlapApply Default Audio TransitionApply Default Video TransitionIgnore AudioIgnore VideoTo the top3. Select the c

To the topTo the topNote:To the topabove the clip, Premiere Pro probably can not play it back in real time without rendering.A clip with a frame rate

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Correcting mistakesTo the topTo the topCorrect mistakesHistory panelCorrect mistakesIn case you change your mind or make a mistake, Premiere Pro provi

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo navigate in the History

Working with clips in a sequenceTo the topNote:To the topTo the topFind a clip in any sequence with Clip UsageView the source of a sequence clip in th

Note:Note:Note:Select the merged clip, and then choose Clip > Analyze Content.You can analyze multiple merged clips, multiple clips, or a combinati

Note:Note:To insert, delete, merge, cut, or copy words, right-click an existing word, and choose a command from the context menu.Copy text from speech

You can now snap the playhead to items when you drag it over the Timeline. When snapping is enabled, the Razor tool is selected, and the cursorsnaps t

Note:Note:To the topthat standard speech analysis cannot provide.To find and fix more errors, you can make side-by-side comparisons of the text of the

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topTo the topGroup c

Trimming clips (CS5 and CS5.5)To the topTo the topWorking with In and Out pointsWorking with audio clips in the Source MonitorWorking with clips in th

To the topZoom in or out on an audio waveform in the Source MonitorYou can zoom into an audio waveform in the Source Monitor to better identify locati

Note:Open and view recent clips from the Source MonitorYou can load more than one clip at a time in the Source Monitor. However, you can view only one

Note:Note:Note:Note:Adjusting edit points in the Source MonitorSometimes, adjusting In and Out points after a clip is in the Timeline is necessary. If

To the topNote:Note:Timeline Trimming (CS5.5, and earlier)Trim with Trim-in and Trim-out toolsYou can change a clip’s In point or Out point by draggin

Note:To the top2. Select [Custom] from the Set drop-down menu.3. Select Application from the drop-down menu of keyboard command types.4. Scroll dow

Program Monitor and Timeline during a rolling editRolling editA rolling edit trims an adjacent Out point and In point simultaneously and by the same n

Note:Make rolling edits (extend edits) with the playheadYou can move the In point or Out point of a clip in a sequence to the playhead, without leavin

To the topAudio enhancementsRenamed Audio Mixer panelThe Audio Mixer panel is now renamed the Audio Track Mixer. This name change helps you distinguis

To the top Timeline panel during (above) and after (below) a ripple editWhen using the Selection tool, you can toggle from the Trim-in or Trim-out ico

To the top In this slip edit, a clip is dragged left, moving its source In and Out points later in time.1. Select the Slip tool .2. Position the poi

To the topYou can create a split edit by unlinking the video from the audio in adjoining clips in a sequence, and then trimming audio separately from

Note:Make a rolling edit using the Trim Monitor1. In the Trim Monitor, click the Select Video Or Audio Track button and select the track you want to

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topDrag the left or

Editing audio358

Overview of audio and the Audio Track MixerTo the topWorking with audioAudio tracks in a sequenceChannels in audio clipsMixing audio tracks and clipsP

To the topStandardMono (monophonic)Adaptive5.1To the topNote:For advanced editing using Adobe Edition, select Edit > Edit in Audition.Audio tracks

To the topTo the topNote:To the topTo the topTo preserve the matrix of an imported 5.1 audio clip, use the clip in a 5.1 audio track in a sequence. To

To the topwaveform shows the amplitude (loudness or quietness) of the audio—the larger the waveform, the louder the audio. Viewing the waveforms in an

To the topThe Audio Clip Mixer lets you monitor and adjust the volume and pan of clips in sequence when the Timeline panel is in focus. Similarly, whe

Audio Track Mixer A. Pan/balance control B. Automation mode C. Mute Track/Solo Track/Enable Track For Recording buttons D. VU meters and faders E. Tr

Note: Audio Mixer A. Show/Hide Effects and Sends B. Effects C. Sends D. Track Output Assignment E. Automation Mode Modify the Audio Track Mixer1. Cho

Note:Note:Solo in PlaceMonitor Mono ChannelsOnly the tracks with the Solo Track button enabled are monitored during playback.You can also silence a tr

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyMonitor Stereo PairsNote:On

Working with clips, channels, and tracksTo the topNote:Mapping source and output audio channelsAudio channel iconsExtract audio from clipsRender and r

Note:Note:Note:To enable or disable an audio channel, select or deselect the Enable option for a source channel. When you add a clip to a sequence,Pre

Note:To the topTo the topYou can specify the channel in a target hardware audio device for each channel in a sequence Master track. You map channels i

To the topTo the topNote:1. In the Project panel, select one or more clips containing audio.2. Choose Clip > Audio Options > Extract Audio.Pre

To the topNote:To the topTo the top2. In the Source Channel Mapping area, choose Mono from the Default Track Format menu.3. Click OK.Use a mono clip

To the topTo the top Effects applied to audio tracks in multi-clip link displayed in Effect Controls panelLink audio clipsThe audio clips must have th

To the topTo the topColor-related enhancementsIntegration of Lumetri Deep Color EnginePremiere Pro now includes the Lumetri Deep Color Engine. You can

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Editing audio in a Timeline panelTo the topSet sample-based audio In and Out pointsLink and unlink video and audio clipsCreate split editsSet sample-b

To the topNote:3. Drag either end of the zoom scroll bar below the time ruler in the Source Monitor or Timeline panel.Trim audio in sample view in a

Note:Move Into SyncSlip Into SyncTo the topTo unlink video and audio, select a linked clip and choose Clip > Unlink.To unlink video and audio from

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Recording audioTo the topTo the topTo the topCapturing analog audioSet the location for captured audioPreparing the audio input channel for recordingR

To the topNote:Note:Record audio from a microphone or another analog source1. Make sure that you have specified the Input audio device. For more info

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Recording audio mixesTo the topNote:Record changes to sound tracksPreserve a track property while recording an audio mixAudio Track Mixer automation m

To the topNote:To the topOffReadWriteLatchTouchTo the top9. Click the Show Keyframes button at the head of the audio track you changed, and select

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Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topWhen you stop adj

Panning and balancingNote:To the topPanning and balancing in the Audio Track MixerPan or balance a stereo trackPan or balance a 5.1 surround trackPan

To the topTo the topTo the topNote:sequence is possible when you use the sequence as a track in another sequence.You can vary the pan setting over tim

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Multiple stereo assignments for tracks to multichannel mastersKeywords: Multichannel audio, multi channel stereo, audio mixing, audio mixer, channel a

Monitor clip volume and pan using Audio Clip MixerTo the topNew in Premiere Pro CC The Audio Clip Mixer lets you adjust the volume and pan of clips in

Keywords: Audio Clip Mixer, Clip Mixer, audio mixer, audio mixing, video clip mixer Twitter™ and Facebook posts are not covered under the terms of Cr

Editing audio in Adobe Audition Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy Po

Advanced mixingTo the topTo the topWork with submixesRoute tracks with sendsDownmixing to fewer channelsChange 5.1 audio to stereo or monoRouting trac

Note:Each track contains five sends, located in the Effects And Sends panel in the Audio Track Mixer. Sends are often used to route a track’s signal t

What's new in Adobe Media Encoder CC 7.1 and CC 7.2To the topTo the topThis article describes the new and changed features in Adobe Media Encoder

To the topTo the topNote:To the topNote:To the top1. (Optional) To display the Effects And Sends panel in the Audio Track Mixer, click the Show/Hide

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Adjusting volume levelsTo the topTo the topTo the topMonitor volume level from Timeline, or Program MonitorMonitor volume level while capturingSpecify

To the topTo the topSet Gain ToTimeline. You can change this setting, if you prefer silent scrubbing.1. Select Edit > Preferences > Audio (Wind

Adjust Gain ByNormalize Max Peak ToNormalize All Peaks ToTo the topNote:To the topShow Clip KeyframesShow Clip VolumeShow Track Keyframesopened for se

Show Track VolumeNote:Note:To the topNote:To the topTo the topLets you change only a track’s volume level.3. If one of the Keyframes settings is sele

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Titling and the Titler400

Titler text stylesTo the topText OnlySmall ThumbnailsLarge ThumbnailsTo the topModify the style swatch displayChange the default characters in swatche

To the topTo the topTo the topTo the topYou can change the default characters that appear on the style swatches.1. Choose Edit > Preferences >

Add images to titles 431...

Note:Note:GPU accelerationAdobe Media Encoder now takes advantage of GPU for rendering purposes. Both CUDA and OpenCL are supported. The latest releas

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Working with text and objects in titlesjavax.jcr.AccessDeniedException: /content/help/en/premiere-pro/using/text-objects-titles/jcr:content/jcr:title:

Note:To the topbutton F. Vertical distribution buttons Center objects in titles1. In the Titler, select one or more objects.2. In the Title Actions

Note:Note:The opacity property setting adjusts the opacity of objects within a title. You can set the overall opacity of the entire title in thesequen

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyNote:1. Select the object,

Rolling and crawling titlesNote:To the topNote:To the topStart Off ScreenEnd Off ScreenPrerollEase-InEase-OutCreate a rolling or crawling titleRoll/Cr

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Fills, strokes, and shadows in titlesjavax.jcr.AccessDeniedException: /content/help/en/premiere-pro/using/fills-strokes-shadows-titles/jcr:content/jcr

4-Color GradientBevelEliminateGhostTo the topNote:To the topcolor stop you want to define and adjust as necessary. The Angle option (available for Lin

Flip With ObjectRotate With ObjectScaling Object X, Scaling Object YScaling Horizontal, Scaling VerticalScaling Tile X, Scaling Tile YAlignment Object

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TypeSizeAngleMagnitudeFill TypeTo the topTo the topyou can easily change that order.1. Select the object.2. In the Properties section of the Title P

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Drawing shapes in titlesTo the topTo the topNote:Create shapesChange the shape of a graphic object or a logoDraw straight segments with Pen ToolDraw c

To the topNote:To the topNote:Draw straight segments with Pen ToolDraw straight lines by clicking Pen Tool in the drawing area. Pen Tool creates objec

To the topTo create a C-shaped curve, drag in a direction opposite to the direction that you dragged to create the previous object anchor point.Drawin

Note:Note:Graphic typeLine WidthCap Type3. Click the point that you want to delete.Adjust an object anchor point1. Select the path containing the ob

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Creating and formatting text in titlesjavax.jcr.AccessDeniedException: /content/help/en/premiere-pro/using/creating-formatting-text-titles/jcr:content

Note:Note:Wrap text automaticallyYou can set the titler to wrap text within the title safe area automatically.Select Title > Word Wrap.Type horizon

To the topNote:or graphic object, click the object and then modify its properties.Format text in titlesSome object properties—such as fill color and s

Workspace and workflow45

Note:FontFont SizeAspectLeadingNote:KerningTrackingBaseline ShiftSlantSmall CapsSmall Caps SizeUnderlineTo the topSpecify text propertiesWhen you sele

To the topNote:Note:Tools in the Titler make it possible to quickly resize and align paragraph text.Change paragraph justificationSelect a paragraph t

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Creating and editing titlesTo the topNote:Create new titlesOpen, import, or export a titleAbout safe margins in the TitlerChoose, create, and import t

To the topNote:Note:To the top1. In the Titler, open or select the title on which you want to base a new title.2. In the Title Quick Properties pane

Note:To the topNote:Note:TVs display, keep text within the title-safe margins. Keep all other important elements within the action-safe margins.If you

Note:To the topTo restore the default set of templates, choose Restore Default Templates from the Templates panel menu.2. Click OK.Rename or delete a

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Add images to titles Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the

Effects and transitions432

WorkspacesTo the topTo the topImport a workspace with a projectCustomizing workspacesBrighten or darken the interfaceThe 2-up editing workspaceFor an

Motion: position, scale, and rotatea clipTo the topNote:Note:Adjust position, scale, and rotationScale assetsAnimate motion in the Program MonitorAdju

To the topTo rotate a clip or effect, position the pointer slightly outside any of the handles, so that the pointer changes into the Rotate icon and

To the topNote:3. Click OK.Animate motion in the Program MonitorYou can create animations, insets, and split screens by manipulating a clip directly

Note:Note:5. In the Program Monitor, change the keyframe value by positioning the pointer near any of the clip’s eight square handles to use any of t

To the top3. Click the triangle next to the Motion control in the Effects Controls panel.4. Click the Toggle Animation button next to the Position

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Viewing and adjusting effects and keyframesTo the topView effects in the Effect Controls panelView keyframes for an effect property in the Timeline pa

Note:Note:To the topTo the topIt is not necessary to position the current-time indicator over a clip to activate the Effect Controls panel.To expand o

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Transition overview: applying transitionsTo the topClip handles and transitionsSingle- and double-sided transitionsApplying transitionsApply a transit

Example workspace A. Application window B. Grouped panels C. Individual panel Choose a workspaceEach Adobe video and audio application includes sever

To the topNote:A. Media Start B. Handle C. In point D. Out point E. Handle F. Media End In some cases, the source media may not contain enough frames

To the topNote:To the topNote:To the topEnd At Cut iconStart At Cut iconApplying transitionsTo place a transition between two clips (centered on the c

Note:To the topAs you drag over heads or tails of clips in a Timeline panel, you can see the area covered by the transition outlined.To place a transi

Note:To the topTo the topYou can add the default video transition between clips in a video track by pressing Ctrl+D (Windows) or Command+D (Mac OS). Y

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topIf you paste a tr

Three-way Color Corrector effectOutput menuSplit viewMaster color wheelShadows, Midtones, and Highlights color wheelsInput Level, Output Level, and Se

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Stabilize motion with the Warp Stabilizer effectTo the topNote:To the topNote:CancelStabilizationResultStabilize with the Warp Stabilizer effectWarp S

SmoothnessMethodNote:FramingNote:Auto-scaleAdditional ScaleDetailed AnalysisRolling Shutter RippleCrop Less <-> Smooth MoreChooses how much the

Synthesis Input Range (seconds)Synthesis Edge FeatherSynthesis Edge CroppingHide Warning BannerUsed by Stabilize, Synthesize Edges framing, controls h

panels. Dragging panel (A) onto grouping zone (B) to group it with existing panels (C)Dock or group panels1. If the panel you want to dock or group i

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The rolling shutter repair effect Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy

Modifying and customizing transitionsTo the topNote:To the topDisplay transitions in the Effect Controls panelAdjust transition alignmentMove a cut an

Note:To the topYou can’t change a double-sided transition into a single-sided transition. If you realign a double-sided transition to the start or end

Note:To the topCenter At Cut or Custom StartStart At CutEnd At CutMove a cut and transition togetherYou can adjust the location of the cut in the Effe

To the topTo the topEdge selectorsStart and End slidersShow Actual SourcesBorder WidthBorder ColorReverseAnti-Aliasing QualitySet the default duration

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Interlacing and field orderTo the topTo the topInterlaced video, noninterlaced video, and progressive scanningAbout field dominance and field reversal

To the topNoneInterlace Consecutive FramesAlways DeinterlaceNote:Flicker RemovalTo the topThe video capture card used to capture the footage is set to

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy Policy2. Select Modify >Inter

When you undock a panel in a floating window, you can add panels to the window and modify it similarly to the application window. You can usefloating

Adjustment LayersTo the topTo the topAdjustment LayersCreate an adjustment layerResize an adjustment layer to highlight an areaBlend modes and adjustm

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy Policy1. Double-click the adjust

About effectsTo the topNote:To the topFixed effectsStandard effectsClip-based and track-based effectsEffect plug-insGPU-accelerated effectsHigh-bit-de

Note:To the topTo the topNote:To the topStandard effects are additional effects that you must first apply to a clip to create a desired result. You ca

Note:GPU-Accerlerated Effects Performance EnhancementsOptimize a Computer for the Mercury Playback EngineFor instructions on filtering the effects in

Black & WhiteBrightness & ContrastColor Balance (RGB)Color Pass (Windows only)Color ReplaceCropDrop ShadowEdge FeatherEight-Point Garbage Matt

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Eliminate flicker Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyThin lines

Effect presetsTo the topEffect presetsCreate and save an effect presetApply an effect presetWork with a custom bins and preset binsEffect presetsApply

To the topScaleAnchor To In PointAnchor To Out PointTo the topCreating, Saving, and Applying PresetsAn example of using Effect Presets is found in thi

Note:Note:To open a panel, choose it from the Window menu.To close a panel or window, press Control-W (Windows) or Command-W (Mac OS), or click its Cl

To the topNote:Drag the effect preset onto the clip in a Timeline panel.Select the clip in a Timeline panel, and then drag the effect preset into the

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy Policyand the bin.3. Drag the it

Duration and speedTo the topNote:To the topNote:To the topView the total duration of selected clipsChange the default duration for still imagesChange

choose Clip > Video Options > Frame Blend. For more information about frame blending, see Blend frames for smooth motion.The duration of a clip

Note:1. In the track header of the video track containing the desired clip, click the Show Keyframes button. If it is not selected, select ShowKeyfra

Note: Time-remapping distorts time for range of frames within clip.It is best to apply time remapping controls to a clip in its own video track, or at

Note:Note:Both the speed and duration of the segment change. Speeding up a segment of a clip makes the segment shorter, and slowing down asegment make

A horizontal rubber band that controls the speed of the clip appears across the center of the clip. The clip is shaded in contrasting colorsabove and

Note:To the topTo the topRemove the Time Remapping effectYou cannot toggle the Time Remapping effect on and off like other effects. Enabling and disab

Note:2. Ctrl-click (Windows) or Command-click (Mac OS) on the rubber band to create a speed keyframe .3. Ctrl+Alt-drag (Windows) or Option+Command-d

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topTo the topBrighte

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyHold FiltersDeinterlaceNote

Creating common resultsTo the topTo the topTo the topTo the topFade in videoPicture-in-picture (PIP) and split screenZoom and pan a still imagePlace l

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topTo the top1. Pla

Color correction and adjustmentTo the topEnhanced in Premiere Pro CCThe new Lumetri Deep Color Engine integration in Premiere Pro CC lets you apply Sp

Note:To the topNote:Note:VectorscopeYou apply the Color Correction effects to a clip the same way you apply all Standard effects. The effect propertie

YC WaveformYCbCr ParadeRGB ParadeAll ScopesVect/YC Wave/YCbCr ParadeVect/YC Wave/RGB ParadeTo the topNote:Note:Note:Displays the luminance (represente

To the topTo adjust color balance and saturation using color wheels, adjust the Hue Balance and Angle wheels or numeric controls in the FastColor Corr

Note:To the topAuto Black LevelAuto ContrastAuto White LevelTo the topHue AngleBalance MagnitudeTo color balance by neutralizing a black area in the i

Balance GainBalance AngleTo the top(intensity). The intensity can be fine-tuned by moving the Balance Gain handle.Affects the relative coarseness or f

Note:to clips.3. In the Effect Controls panel, click the triangle to expand the Fast Color Corrector or the Three-way Color Corrector controls.4. (O

Sync settingsTo the topTo the topNew in Premiere Pro CC When you work with Adobe® Premiere® Pro on multiple machines, managing and syncing preferences

To the topLuma CurveRGB CurvesNote:shadows, midtones, and highlights.7. Use the Saturation control to adjust the color saturation in the image. Movin

To the topAs you make adjustments, watch carefully for banding, noise, or polarization in the image. If you notice any of these, reduce the valueyou a

Black Output sliderWhite Output sliderBlack Level eyedropperGray Level eyedropperWhite Level eyedropperBlack Input Level sliderGray Input Level slider

HSB (in the HSB section)RGB (in the RGB section)Select a color with the Adobe Color PickerYou can use the Adobe Color Picker to set target colors in s

Note:To the topNote:3. Do any of the following:Drag the triangles along the color slider, or click inside the color slider to adjust the colors displ

To the topNote:SoftenEdge ThinningSpecify a color or range of colors to adjustThe Secondary Color Correction property specifies the color range to be

To the topTo the topReplace a colorIf you need more control than the Color Replace effect offers, use the Secondary Color Correction controls in the R

To the topNote:To the topyou can drag the slider.Mix color channels in a clip1. In the Effects panel, click the triangle to expand the Video Effects

To the topNote:To the topNote:To animate this effect, use the keyframe features in the Effect Controls panel.Adjust edges, blurs and brightness using

NoneDirectionalOmniSpotlightNote:CenterMajor RadiusProjected Radius Lighting Effects: Original image (left), Spotlight applied to image (center), and

What's New1

To the topNote:Sync settingsNote:Note:When SyncingAdobe ID] > Use Settings From a Different Account.Enter the Adobe ID and password. The settings f

Minor RadiusAngleIntensityFocusNote:Ambient Light ColorAmbience IntensitySurface GlossSurface MaterialExposureTo the topimage. In the Program Monitor,

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Working with audio transitionsTo the topTo the topTo the topSpecify the default audio transitionSet the default duration for audio transitionsCrossfad

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topTo the topTo add

Audio effects and transitionsTo the topCenterQAudio effectsAudio crossfade transitionsFor video effects, see Effects and transitions reference.Audio e

BypassCustom SetupIndividual ParametersLfoTypeRateDepthMixFeedbackDelayThresholdDePlopKeyframeable option that specifies whether to apply or bypass th

ThresholdReductionEfficiency meterAuditionGainMale and FemaleReductionFrequencyFilterDelayFeedbackMixDetermines the detection level for the crackles.

NoisefloorFreezeReductionOffsetAutoGateThresholdAttackReleaseHoldCompressorThresholdRatioAttackReleaseAutoMakeUpExpanderThresholdtape recordings. This

RatioLimiterThresholdReleaseSoftClipFrequencyGainCutQOutputLFO TypeSets the rate at which signals are expanded, up to 5:1. For example, if the ratio i

RateDepthMixFeedbackDelaySoloMakeUpBandSelectCrossover FrequencyOutputThreshold 1-3Ratio 1-3Specifies the speed of the Low Frequency Oscillator.Determ

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Attack 1-3Release 1-3Delay 1-4Feedback 1-4Level 1-4MixCenterQCenterQBoostLFO (Low Frequency Oscillator) TypeRateSpecifies the time (between 0.1 and 10

DepthDelayFeedbackMixPitchFine TuneFormant PreservePre DelayAbsorptionSizeDensityLo DampHi DampMixDetermines the gain level of the modulation waveform

Freq (1-3)Reduction (1-3)Filter (1-3)MaxLevelCursorModeTo the topDetermines the center frequency of each of the notch filters.Sets the input gain leve

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Applying, removing, finding, and organizingeffectsTo the topNote:Find and group effectsApply effects to clipsCopy and paste clip effectsRemove selecte

Note:To the topTo the topRemove a Custom bin1. In the Effects panel, select a Custom bin and do one of the following:Click the Delete Custom Items bu

Note:To the topNote:To the topIf the effect includes keyframes, these keyframes appear at comparable positions in the target clip, starting at the beg

Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyTo the topDisable or enable

Applying effects to audioNote:Note:Applying audio effects in the Audio MixerApply a track effect in the Audio MixerAdjust audio track effects in a Tim

To the topTo the topUsing Audio Effects in Premiere ProThese Premiere Pro tutorial videos by Phil Hawkins at Infinite Skills go through a few of the m

Direct-Link workflow between Premiere Pro and SpeedGradeTo the topTo the topNew in the October 2013 release of Premiere Pro CC (version 7.1) and Speed

Note:To the topTo the topTo the topApply a track effect in the Audio Mixer1. (Optional) To display the Effects And Sends panel in the Audio Mixer, cl

To the topTo the topNote:To the topNote:In the Effects And Sends panel of the Audio Mixer, right-click (Windows) or Control-click (Mac OS) an effect a

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Animation and keyframes526

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Moving and copying keyframesTo the topNote:Note:To the topTo the topMove keyframes in timeDetermine keyframe snappingCopy and paste keyframesMove keyf

2. Select one or more keyframes.3. Choose Edit > Copy.4. Do one of the following:Move the current-time indicator to where you want the first key

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Controlling effect changes using keyframe interpolationjavax.jcr.AccessDeniedException: /content/help/en/premiere-pro/using/controlling-effect-changes

LinearBezierAuto BezierContinuous BezierHoldEase InEase OutNote:To the top Changing keyframe interpolation for the Position property of the Motion eff

Note:Step 1: Select Premiere Pro sequenceSelect the Premiere Pro sequence that you want to color grade.Ensure that you have selected the sequence in t

To the topTimeline panel, the Effect Controls panel, or the Program Monitor.Create Bezier keyframes1. In a Timeline panel, select the clip containing

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Animating effectsTo the topTo the topTo the topNote:About animating effectsAbout keyframesWorking with keyframesAbout animating effectsAlthough common

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Adding, navigating, and setting keyframesTo the topView keyframes and graphsMove the current-time indicator to a keyframeAdd, select, and delete keyfr

Effect Controls A. Value graph B. Velocity graph View keyframes and properties in a Timeline panelIf you’ve added keyframes to animate an effect, you

Show KeyframesShow Opacity HandlesHide KeyframesShow Clip KeyframesShow Clip VolumeShow Track KeyframesShow Track VolumeHide Keyframes2. For a video

To the topTo the topChoosing from the effects menu7. Place the pointer directly over a keyframe to view its property in a tool tip.The tool tip displ

Note:Note:Note:You can add keyframes in the Timeline or the Effect Controls panel at the current time. Use the Toggle Animation button in the Effect C

Note:Note:To the topDo any of the following:To select a keyframe, use the Selection tool or the Pen tool to click the Keyframe icon in the Timeline pa

To the top A. Premiere Pro project sequence B. Premiere Pro sequence color graded in SpeedGrade The Direct-Link workflow has been designed to let you

Note:Note: Effect property’s value and velocity graphs A. Keyframe marker B. Level graph indicating unchanged value C. Rising graph indicating increas

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Compositing545

Compositing, alpha channels, and adjustingclip opacityTo the topAlpha channels and mattesAbout keyingSpecify clip opacity in a Timeline panelCompositi

To the topTo the topNote:Alpha channels store transparency information in files in one of two ways: straight or premultiplied. Although the alpha chan

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Blending modesTo the topNormal categorySubtractive categoryAdditive categoryComplex categoryDifference categoryBlend mode referenceYou can select the

HSL categoryNormalDissolveDarkenMultiplyColor BurnLinear BurnDarker ColorLinear Dodge (Add)LightenScreenColor DodgeLinear Dodge (Add)Lighter ColorHue,

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Exporting552

Note:Note:To the topWhen you open a Premiere Pro project, the Sequence Importer dialog opens showing all the sequences contained in the project. Selec

Workflow and overview for exportingTo the topTypes of exportingAdobe Media EncoderWorkflow for exporting video and audio files Community resources:FAQ

To the topTo the topcan trim Premiere Pro projects down to their essentials and ready them, with or without their source media, for archiving.Export f

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Exporting to DVD or Blu-ray DiscTo the topTo the topNote:Choosing file formats for various discsSend a sequence to Encore to create a DVD, Blu-ray Dis

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Smart rendering Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyWhen exporti

Working with Adobe SpeedGradeTo the topTo the topNote:Enhanced in Premiere Pro CCDirect-Link workflow between Premiere Pro and SpeedGradeRoundtrip wor

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Export a still image Twitter™ and Facebook posts are not covered under the terms of Creative Commons.Legal Notices | Online Privacy PolicyNote:Fo

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Export to Panasonic P2 formatNote:When you have finished editing a Panasonic P2 sequence you can export the sequence to a hard disk or back to a P2 ca

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Exporting for the Web and mobile devicesTo the topTo the topMoving assets between Adobe Premiere Pro and Adobe FlashTips for creating FLV and F4V file

Note:Modem NTSC 4 x 3Modem PAL 4 x 3T1/DSL/Cable NTSC 4 x 3T1/DSL/Cable PAL 4 x 3When you deliver video over the Internet, produce files at lower data

To the topNote:Note:televisions. Even with a small window, image quality can be as important for digital video as for HDTV. Artifacts and noise are at

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Exporting to videotapeNote:To the topDV 29.97i (720 x 480)DV 25i (720 x 576)Prepare for exporting to DV videotapeExport a sequence to tape with device

DV 23.976iTo the topNote:Abort After Dropped FramesReport Dropped FramesRender Audio Before ExportSpecifies DV 24p (24 progressive) or 24pA (24 progre

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Using the Source Monitor and Program MonitorTo the topSource Monitor and Program Monitor overviewOpen or clear a clip in the Source MonitorNavigate cl

Exporting projects for other applicationsTo the topNote:To the topExport a project as an EDL fileExporting AAF filesExport a Final Cut Pro project XML

Note:Cuts-only mono/stereo audio and videoClip speedBatch captured or redigitized filesFootage of varying dimensionsNested sequencesTitlesBin hierarch

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Exporting OMF files for Pro ToolsNote:To the topEncapsulateSeparate AudioCopy Complete Audio FilesTrim Audio FilesTo the topExport an OMF file for Pro

Note:Sample accurate exports48k and 96k sample rates16-bit and 24-bit depthEncapsulate and Separate Audio optionsTrack namesClip namesClip volume and

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Note:Note: The program monitor A. Timecode B. Playhead C. Scaling options D. Zoom scroll bar E. Resolution F. Settings button G. Button editor For de

To the top1. Do one of the following:Right click the image in the Source Monitor or Program Monitor.Click the Panel Menu icon in the Source Monitor o

What's New in Premiere Pro CC December 2013 (version 7.2)To the topFor information on what's new in the earlier Creative Cloud releases of P

To the top1. To open a clip, do any of the following:Double-click the clip in the Project or Timeline panel, or drag a clip from the Project panel to

To the topTime rulersPlayheadNote:Current time displaysDuration displayZoom scroll bars3. Set keyboard shortcuts for any of the following commands:So

Note:To the topTo the topChanging the Program Monitor’s time ruler or zoom scroll bar does not affect the time ruler or viewing area in a Timeline pan

To the topComposite VideoAlphaAll ScopesVectorscopeYC WaveformYCbCr ParadeRGB ParadeVect/YC Wave/YCbCr ParadeVect/YC Wave/RGB Parade2. Select Display

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Multi-Camera editing workflowTo the topTo the topEnhanced in Premiere Pro CC October 2013 release (version 7.1)About the multi-camera editing workflow

4. Create a multi-camera target sequenceEdit the multi-camera source sequence in a target sequence.To create a target sequence, with the multi-camera

To the topYou can use keyboard shortcuts for multi-camera editing. You can use the number keys to switch cameras as the multi-camera sequenceplays. Th

Camera 1 clip. In most scenarios, the Automatic preset is the appropriate setting. For advanced workflows, like editing a sequence using proxyresoluti

To the topTo the topTo the topaddition to the default option of enumerated camera names like camera 1, camera 2.Depending on the Camera Names option t

To the topYou can quickly create a sequence by dragging media and dropping it to the empty Timeline window. Premiere pro creates a new sequence fromth

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Control surface supportTo the topTo the topNew in Premiere Pro CCAdobe® Premiere® Pro provides a hardware control interface that lets you connect hard

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Keyboard shortcuts in Premiere Pro CCTo the topPremiere Pro CC default keyboard shortcutsMulti-Camera (keyboard shortcuts)Project panel (keyboard shor

Redo Ctrl+Shift+Z Shift+Cmd+Z Cut Ctrl+X Cmd+X Copy Ctrl+C Cmd+C Paste Ctrl+V Cmd+V Paste Insert Ctrl+Shift+V Shift+Cmd+V

Mark In I I Mark Out O O Mark Clip X X Mark Selection / / Go to In Shift+I Shift+I Go to Out Shift+O Shift+O Clear

Add Tracks to Match Source Clear Poster Frame Ctrl+Shift+P Opt+P Cut to Camera 1 Ctrl+1 Ctrl+1 Cut to Camera 2 Ctrl+2 Ctrl+2 Cut

Multi-Camera (keyboard shortcuts) Delete Backspace Delete Open in Source Monitor Shift+O Shift+O Parent Directory Ctrl+Up Cmd+Up

Increase Clip Volume Many Shift+] Shift+] Maximize or Restore Active Frame Shift+` Shift+` Maximize or Restore Frame UnderCursor` ` Minimize

Project panel (keyboard shortcuts) Shuttle Stop K K Step Back Left Left Step Back Five Frames - Units Shift+Left Shift+Left Step Forward Right

Note:To the topImproved media managementOpen multiple Media Browser panelsTo easily access multiple projects and media locations, Premiere Pro lets yo

Timeline panel (keyboard shortcuts) Workspace 9 Alt+Shift+9 Opt+Shift+9 Zoom to Sequence \ \ Extend Selection Up Shift+Up Shift+Up Move

Titler (keyboard shortcuts) Nudge Clip Selection Right FiveFramesAlt+Shift+Right Shift+Cmd+Right Nudge Clip Selection Right OneFrameAlt+Righ

Increase Kerning by Five Units Alt+Shift+Right Opt+Shift+Right Increase Kerning by One Unit Alt+Right Opt+Right Increase Leading by Fi

To the topTo the topTrim Monitor panel (keyboard shortcuts)Find keyboard shortcutsFind the keyboard shortcuts for a tool, button, or menu command by d

ApplicationPanelsToolsNote:To the topTo the top2. In the Keyboard Customization dialog box, choose an option from the menu:Displays commands found in

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Cross-application workflowsTo the topTo the topEdit a clip in its original applicationWorking with Photoshop and Premiere ProCopy between After Effect

Franklin McMahaon provides a video tutorial that demonstrates creating a title in Photoshop for use in Premiere Pro in this video tutorial fromLayers

To the topNote:Photoshop opens with a new blank still image. The pixel dimensions match the project’s video frame size, and image guides show the titl

4. In Adobe Premiere Pro, open a sequence in the Timeline panel.5. Move the current-time indicator to the desired location, and choose either Edit &

To the toppreviously saved sequence preset for camera 1, all cameras, or switch audio.Audio enhancementsNew voice-over recording workflowPremiere Pro

Note:1. Select an asset from the Adobe Premiere Pro Timeline panel.2. Choose Edit > Copy.3. In After Effects, open a composition in the Timeline

Note:To the topTo the topTo the topWhen you import a Premiere Pro project into After Effects, features are converted in the same manner as they are co

To the topNote:Note:For an overview of all the features in Adobe Story, see this video.Working with Encore and Premiere ProTo use Encore CS6 with Prem

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Setting up your systemTo the topSet up a DV or HDV systemSet up an SD-SDI, HD-SDI, or component systemSet up a file-based systemSet up an S-Video or c

To the top2. Connect the camcorder or VTR to the television monitor with an S-Video or RCA video cable and RCA audio cables, or an HDMI cable.3. Set

Note:To the topNative serial device control is available in Windows only.4. Connect the deck or camcorder to the television monitor with component vi

To the topNote:To the topSet up an S-Video or composite system S-Video/composite setup A. Computer and computer monitor B. Ports and connectors for Fi

Enable DevicesBuffersizeDevice 32-bit Recording/PlaybackNote:To the topNote:1. Choose Edit > Preferences > Audio Hardware (Windows) or Premiere

To the topTo the topNote:To the top4. Check the boxes next to the names of any devices you want to enable.5. Check Device 32-bit Recording if you wa