Adobe Premiere Pro CS4 Instrukcja Użytkownika Strona 305
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USING ADOBE PREMIERE PRO CS4
Effects and transitions
Last updated 11/6/2011
Correcting exposure: Overexposed image with the waveform in the upper limits of the IRE scale (left) and corrected image with the waveform
within 7.5 to 100 IRE (right)
More Help topics
“Fast Color Corrector effect” on page 352
Correct video color, easily
“Luma Corrector effect” on page 354
“Luma Curve effect” on page 355
“RGB Color Corrector effect” on page 356
“RGB Curves effect” on page 357
“Three-Way Color Corrector effect” on page 358
“Video Limiter effect” on page 361
Set up a Color Correction workspace
The following is a suggested procedure for setting up your color correction workspace. It’s meant only as a starting
point so you can configure the workspace to suit your style of working.
1 (Optional) Connect a calibrated NTSC or PAL monitor to your computer. If you’re creating video for broadcast,
viewing the video on an NTSC or PAL monitor is essential for the most accurate preview.
2 Choose Window > Workspace > Color Correction.
To see a before and after comparison of your color correction, you can either display the master clip in the Source
Monitor for comparison with the Program Monitor, or you can select the Split Screen Preview option in the Color
Correction effects.
3 Make sure that the Draft Quality is not chosen in the Program Monitor menu. If possible, choose Highest Quality.
If your computer performance suffers, then choose Automatic Quality instead.
4 (Optional) Choose Reference Monitor from the Window menu. Move the Reference Monitor where you can see it
and the Program Monitor easily.
Note: By default, the Gang To Program Monitor option is enabled in the Reference Monitor menu.
5 Choose any of the following scopes from the Reference Monitor menu:
Note: You can also display a scope in the Program Monitor instead of the Reference Monitor.
Vectorscope Displays a circular chart, similar to a color wheel, that shows the video’s chrominance information. The
Vectorscope is very useful when making color adjustments.
YC Waveform Displays the luminance (represented as green in the waveform) and chrominance (represented as blue)
values in your clip.
- Contents 3
- Chapter 1: Resources 7
- Help and support 8
- Product Help 9
- Printed resources 9
- Support resources 9
- New features 10
- Chapter 2: User interface 12
- Dock, group, or float panels 13
- 2 Do one of the following: 14
- Resize panel groups 15
- Navigate the panels 16
- Display any panel full-screen 16
- Preferences 20
- Appearance preferences 21
- Audio preferences 21
- Audio Hardware preferences 21
- Change the Auto Save settings 22
- Capture preferences 22
- Device Control preferences 22
- Label Colors preferences 22
- Label Defaults preferences 23
- Media preferences 23
- Player Settings preferences 23
- Titler preferences 23
- Trim preferences 24
- Basic workflow 25
- File-based workflows 31
- DVD or Blu-ray Disc workflow 31
- SWF workflow 32
- Cross-platform workflow 33
- Cross-application workflows 33
- About Adobe Bridge 34
- Adobe Dynamic Link 40
- Link to a new composition 43
- Metadata workflow 45
- Setting up your system 46
- Set up a file-based system 48
- Audio Hardware panel options 50
- Specify scratch disks 52
- Chapter 4: Project setup 54
- Review project settings 55
- Project Settings dialog box 55
- Open a project 56
- Delete a project file 56
- Aspect ratios 57
- Common pixel aspect ratios 59
- About square-pixel footage 60
- Fix aspect ratio distortion 61
- Capturing and digitizing 62
- Capture panel 63
- Set capture preferences 64
- Select tracks for capture 65
- Capture with device control 68
- Select and capture a clip 69
- Use automatic scene detection 70
- Capturing DV or HDV video 71
- Capturing HD video 72
- Digitizing analog video 73
- Capturing content for DVD 74
- About batch capturing 75
- Log clips for batch capturing 75
- Log clips interactively 76
- Batch capture clips 78
- Import and export batch lists 79
- Work with offline clips 79
- Create an offline clip 80
- Edit an offline clip 80
- Timecode 82
- Stripe a tape with timecode 84
- Replace DV timecode 84
- Capturing timecode 85
- Enter timecode 85
- View timecode as a burn-in 85
- About transferring files 86
- About importing files 87
- Channel support 88
- Move the Media Cache Database 93
- Importing still images 96
- Importing Illustrator images 99
- Audio sample rates supported 100
- Conforming audio 100
- 4 Do one of the following: 101
- More Help topics 102
- Import CMX3600 EDL projects 103
- Final Cut Pro clip data 104
- Last updated 11/6/2011 105
- Final Cut Pro Multiclips 106
- Final Cut Pro composite modes 106
- Chapter 6: Managing assets 107
- Rearrange columns 108
- Change the width of a column 108
- Sort by a column 108
- Add a column 108
- List view columns 109
- About bins 110
- Work with bins 111
- Change bin behaviors 111
- Rename a clip 112
- Find assets matching criteria 113
- Remove assets from a project 113
- About clip properties 114
- View the properties of a clip 115
- About the XMP standard 116
- Edit metadata 118
- Search metadata 118
- Create schemas and properties 119
- Set display quality 121
- Change magnification 122
- Playing assets 125
- Jog or shuttle playback 126
- Match a frame with its source 128
- View a scope 128
- Vectorscope 129
- YC Waveform 129
- YCbCr Parade 130
- Reference Monitor 131
- Open a Reference Monitor 132
- About Timeline panels 133
- About sequences 134
- Open a sequence in a Timeline 134
- Navigate in a sequence 134
- USING ADOBE PREMIERE PRO CS4 135
- Add tracks 136
- Delete tracks 136
- Rename a track 137
- Exclude tracks in a sequence 137
- Expand and resize a track 138
- Selecting a sequence preset 139
- Create a sequence 140
- Sequence presets and settings 140
- Sequence Presets options 141
- General settings 141
- Editing sequences and clips 143
- Tracks settings 144
- Change sequence settings 145
- Start a widescreen sequence 145
- Start an HDV or HD sequence 145
- 24p sequences 147
- About 3:2 and 24pA pulldown 148
- Create a 24p sequence 149
- Set 24p playback options 149
- Display 24p source timecode 149
- Multi-camera sequences 150
- Synchronize clips 152
- Record multi-camera edits 153
- Rerecord multi-camera edits 154
- Using multiple sequences 155
- Creating clips 157
- Interpret footage 159
- Create black video 160
- Create a color matte 161
- Adding clips to sequences 162
- Open a sequence 163
- Targeting tracks 163
- Insert a clip into a sequence 166
- Make a three-point edit 167
- Make a four-point edit 168
- Trimming clips 171
- Trim in the Source Monitor 172
- Perform a slip edit 178
- Perform a slide edit 179
- Cancel an edit 180
- Set trim preferences 180
- Find a word in any clip 182
- Edit a text transcript 183
- Select one or more clips 183
- Enable or disable a clip 184
- Group clips 184
- Snap clips 184
- Move clips 185
- Move clips using the keypad 186
- Remove clips from a sequence 187
- Lift and paste frames 187
- Extract and paste frames 187
- Delete clips and close gaps 188
- Delete space between clips 188
- Delete all clips on one track 189
- Render a preview file 190
- Work with preview files 191
- Delete preview files 192
- Correcting mistakes 194
- Work with the History panel 195
- Add markers 195
- Add an unnumbered clip marker 196
- Add a numbered marker 196
- Move a marker 197
- Delete a marker 197
- Add Encore chapter markers 199
- Chapter 9: Editing Audio 201
- About channels in audio clips 202
- Mixing audio tracks and clips 203
- Processing order for audio 203
- Audio Mixer overview 204
- Modify the Audio Mixer 205
- View audio clips 206
- View time in audio time units 207
- Audio channel icons 208
- Map audio channels in a clip 209
- • Ch. 3 to Left-Rear Channel 210
- Extract audio from clips 211
- Render and replace audio 211
- Use a mono clip as stereo 212
- Linking multiple audio clips 212
- Link audio clips 213
- Navigate audio in sample view 215
- Create split edits 216
- Create a split edit 217
- Record a voice-over 218
- Record an analog source 220
- Record audio 220
- Adjusting volume levels 221
- Adjusting gain and volume 222
- Normalize one or more clips 222
- Normalize the Master track 223
- Mix tracks in the Audio Mixer 225
- Audio transitions 226
- Crossfade between audio clips 227
- Applying effects to audio 228
- Copy and paste track effects 229
- Working with VST effects 230
- Recording audio mixes 231
- Audio Mixer automation modes 232
- Panning and balancing 233
- Pan or balance a stereo track 235
- Advanced mixing 237
- Send a track to a submix 238
- Edit Send settings 238
- Work with sends 239
- Routing track output 240
- Edit audio in Adobe Audition 242
- Removing background noises 242
- Chapter 10: Titling 243
- Create a new title 244
- Show video behind the title 245
- Import a title file 245
- About the safe margins 246
- Rename or delete a template 247
- Adding text to titles 248
- Type text without boundaries 249
- Wrap text automatically 249
- Type text along a path 249
- Edit and select text 250
- Specify a font 250
- Change the font size 250
- Change text orientation 250
- Specify text properties 251
- Reflow paragraph text 252
- Set and adjust a tab stop 253
- Delete a tab stop 253
- Draw curves with Pen Tool 254
- Place a logo in a title 257
- Place a logo in a text box 257
- Center objects in titles 258
- Align objects in titles 258
- Distribute objects in titles 259
- Adjust an object’s opacity 259
- Scale objects 259
- About object properties 260
- Fill type options 261
- Add a sheen 262
- Create a drop shadow 264
- Working with styles 265
- Apply a style to an object 266
- Manage style libraries 266
- Roll/Crawl Timing options 267
- Working with effects 268
- About Standard effects 269
- About GPU-accelerated effects 270
- About high bit-depth effects 270
- Find and group effects 271
- Find an effect 272
- Remove a Custom bin 272
- Apply effects to clips 273
- Copy and paste clip effects 273
- Adjusting effects 275
- Blending mode reference 278
- Blending mode gallery 279
- Blending mode descriptions 280
- Customizing effect presets 282
- Apply an effect preset 283
- Creating common effects 284
- Make skin appear smoother 285
- Zoom and pan a still image 285
- Create a Jacob’s Ladder 285
- Scale assets manually 287
- Scale assets automatically 287
- Move a clip along a curve 290
- Eliminate flicker 292
- Vary change to clip speed 299
- Move a split speed keyframe 300
- Freeze a frame 302
- Color correction 304
- Quickly remove a color cast 307
- Adjust luminance using levels 312
- Replace a color 320
- Remove color in a clip 320
- Mix color channels in a clip 321
- Add Lighting Effects 322
- Transition overview 325
- Clip handles and transitions 326
- Applying transitions 328
- Specify a default transition 329
- Fine-tuning transitions 330
- Adjust transition alignment 331
- Change transition duration 333
- Customizing transitions 334
- About the effect reference 335
- Audio effects 337
- Chorus effect 338
- DeClicker effect 338
- DeCrackler effect 339
- DeEsser effect 339
- DeHummer effect 339
- Delay effect 340
- DeNoiser effect 340
- Dynamics effect 340
- EQ effect 341
- Fill Left, Fill Right effects 342
- Flanger effect 342
- Highpass and Lowpass effects 342
- Invert (audio) effect 342
- MultibandCompressor effect 342
- Multitap Delay effect 343
- Notch effect 343
- Parametric EQ effect 343
- Phaser effect 344
- PitchShifter effect 344
- Reverb effect 344
- Audio crossfade transitions 345
- Adjust effects 346
- Convolution Kernel effect 347
- Extract effect 347
- Levels effect 347
- Lighting Effects effect 348
- ProcAmp effect 348
- Shadow/Highlight effect 348
- Blur and Sharpen effects 349
- Compound Blur effect 350
- Directional Blur effect 350
- Gaussian Blur effect 351
- Sharpen effect 351
- Unsharp Mask effect 351
- Channel effects 352
- Calculations effect 353
- Compound Arithmetic effect 353
- Invert (video) effect 354
- Set Matte effect 354
- Color Correction effects 355
- Change Color effect 356
- Change To Color effect 356
- Channel Mixer effect 357
- Color Balance effect 357
- Color Balance (HLS) effect 358
- Equalize effect 358
- Fast Color Corrector effect 358
- Leave Color effect 359
- Luma Corrector effect 360
- Luma Curve effect 361
- RGB Color Corrector effect 362
- RGB Curves effect 363
- Tint effect 367
- Video Limiter effect 367
- Distort effects 368
- Magnify effect 369
- Mirror effect 369
- Offset effect 370
- Spherize effect 370
- Transform effect 370
- Turbulent Displace effect 370
- Twirl effect 371
- Wave Warp effect 371
- GPU effects (Windows only) 372
- Generate effects 373
- Circle effect 375
- Eyedropper Fill effect 375
- Grid effect 376
- Lens Flare effect 377
- Lightning effect 377
- Paint Bucket effect 378
- Ramp effect 379
- Write-on effect 379
- Image Control effects 380
- Keying effects 381
- Color Key effect 383
- Difference Matte effect 383
- Image Matte Key effect 384
- Luma Key effect 384
- Non Red Key effect 385
- Noise & Grain effects 386
- Noise effect 387
- Noise Alpha effect 387
- Perspective effects 389
- Drop Shadow effect 390
- Radial Shadow effect 390
- Render effects 391
- Stylize effects 391
- Brush Strokes effect 392
- Color Emboss effect 392
- Emboss effect 392
- Find Edges effect 393
- Mosaic effect 393
- Posterize effect 393
- Replicate effect 393
- Roughen Edges effect 393
- Solarize effect 394
- Strobe Light effect 395
- Threshold effect 395
- Time effects 396
- Posterize Time effect 397
- Time Warp effect 397
- Transform effects 399
- Transition effects 400
- Linear Wipe effect 401
- Utility effects 402
- Video effects 403
- Video dissolve transitions 403
- Dip To White transition 404
- Dither Dissolve transition 404
- Random Invert transition 404
- Chapter 12: Animation 405
- View keyframes and graphs 406
- Add keyframes 409
- Select keyframes 411
- Delete keyframes 411
- Edit keyframe graphs 412
- Optimize keyframe automation 413
- Moving and copying keyframes 414
- About interpolation 416
- Create Bezier keyframes 418
- Adjust Bezier handles 418
- Creating common animations 419
- Chapter 13: Compositing 421
- Adjust the opacity of clips 422
- About transparency 424
- About keying 425
- Apply a key to a clip 425
- About mattes 427
- Create a solid color matte 432
- Remove a black or white matte 432
- Chapter 14: Exporting 433
- Workflow for exporting files 434
- About compression keyframes 435
- Compression tips 435
- About MPEG 437
- About data rate 437
- High-definition (HD) video 438
- • The High-Def Checklist 439
- Adobe Media Encoder 440
- Viewing area options 441
- Viewing area controls 441
- Import a preset 442
- Export a preset 442
- Delete custom presets 443
- Automatic deinterlacing 445
- Audiences export settings 446
- Tab menu settings 446
- Audio export settings 447
- Clip Notes export settings 448
- Filters export settings 448
- Video export settings 449
- Multiplexer export settings 451
- Others export settings 452
- Export to Panasonic P2 format 454
- Export a still image 458
- Export still-image sequences 459
- About Clip Notes comments 459
- Export a Clip Notes PDF 460
- Add Clip Notes comments 460
- Import Clip Notes comments 461
- Exporting AAF files 464
- About the AAF plug-in 465
- Archiving 466
- Trim or copy your project 466
- About exporting to videotape 468
- Creating motion-picture film 470
- Exporting for the web 471
- Tips for creating FLV files 472
- Export to QuickTime 475
- Exporting XMP metadata 478
- Find keyboard shortcuts 480
- Customize keyboard shortcuts 480
- Remove shortcuts 481
- Default keyboard shortcuts 482
- Keys for the Capture panel 483
- Keys for the Project panel 484
- Keys for the Timeline 484
- Keys for the Titler 487
- Keys for the Trim panel 488
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